{"id":854,"date":"2020-07-18T18:58:52","date_gmt":"2020-07-18T18:58:52","guid":{"rendered":"https:\/\/music.celiamalheiros.com\/?page_id=854"},"modified":"2020-07-18T19:00:28","modified_gmt":"2020-07-18T19:00:28","slug":"daniella-thompson-2002","status":"publish","type":"page","link":"https:\/\/www.celiamalheiros.com\/pt\/daniella-thompson-2002\/","title":{"rendered":"Daniella Thompson 2002"},"content":{"rendered":"\t\t
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Daniella Thompson on Brazil<\/h4>

Thursday, May 09, 2002<\/h5>

visit the site<\/a><\/p>

Celia Malheiros evokes the spirits of tradition in a thoroughly modern creation. <\/span>Multi-instrumentalist, composer, and singer, Celia Malheiros, has been calling the San Francisco Bay Area home for twenty years. Nonetheless, her spiritual home continues to be Brazil, whose rhythms and nuances fill her debut disc, Sempre Crescendo.

<\/span>As the album title indicates, Celia is an explorer, and she selected the best guides for her musical adventure: Cartola, Tom Jobim, and Hermeto Pascoal. The latter even makes two appearances in the disc, as does a select group of top instrumentalists.<\/span><\/p>

Cartola is the dedicatee of the beautiful opening samba, a hymn to love inventively arranged by Ign\u00e9z Perdig\u00e3o for piano (Jo\u00e3o Rebou\u00e7as), guitar & cavaco (Perdig\u00e3o), flute (Marcelo Bernardes), fluegelhorn (Nelson Oliveira), trombone (Serginho de Jesus), bass (Jorge Helder), drums (Wilson das Neves), pandeiro, tamborim & cu\u00edca (Marcos Suzano), repique de anel & surdo (Trambique). There’s a tip of the hat to Ary Barroso’s \u201cNa Baixa do Sapateiro\u201d in the opening strains.
[…] Quem do amor fugiu, hoje anda triste e vive s\u00f3. […]

[…] Se o amor \u00e9 uma pris\u00e3o
E voc\u00ea me trancou, por favor
Jogue a chave no mar.
<\/i>
Yemanj\u00e1, Afro-Brazilian goddess of the sea, receives her due in an upbeat samba-louva\u00e7\u00e3o that is a paean to all womankind. Celia’s arrangement includes her own singing and spoken words, a female chorus, and instrumentation similar to the one in \u201cAo Mestre Cartola,\u201d with an additional clarinet (Marcelo Bernardes), Celsinho Silva on atabaques, pandeiro & agog\u00f4, and Mestre Caboclinho on atabaques, agog\u00f4, and a wonderful candombl\u00e9-style vocal at the conclusion.

[…] As conchas ecoam o teu eterno cantar
Que ressoa por todo o universo
Onde a dan\u00e7a c\u00f3smica \u00e9 livre e sensual
Como tu, rainha, soberana, Yemanj\u00e1.

<\/i>The gentle Bossa Nova \u201cSoul Longing\u201d is dedicated to Tom Jobim. The title, an English rendering of saudade, finds the echo \u2018so long\u2019 in the lyrics, which use nature imagery to parallel emotional states:

[…] Like the rain that falls tonight
Changing sadness into \u201carte\u201d
Dancing thoughts floating together
We rise above the stormy weather.

<\/i>\u201cPraia\u201d introduces an indolent Caribbean beat, carried by the vocal chorus, acoustic and electric guitars (Celia and Jos\u00e9 Neto, respectively), clarinet (Marcelo Bernardes), bass (Kai Eckhardt), and Suzano’s percussion, which utilizes pandeiro, caj\u00f3n, castalhas, and seashells.

Hermeto Pascoal joins Celia for \u201cSempre Crescendo com o Mestre\u201d in a remarkable vocalese\/piano duet that is pure musical exploration, wafting the listener from the lyrical to the atonal and back in seven and a half minutes.

The master returns for an encore in the frevo \u201cFremeto,\u201d arranged by his disciple Jovino Santos Neto. Hermeto plays melodica, accompanied by his longtime group members Itiber\u00ea Zwarg (bass) and M\u00e1rcio Bahia (drums & percussion), who are bolstered by piano (Marcos Nimrichter), trumpet (Nelson Oliveira), trombone (Serginho de Jesus), alto sax (Maca\u00e9), and tenor sax (Marcelo Bernardes).

Two other noteworthy instrumentals are \u201cAmazon\u201d and \u201cWoman Being.\u201d The former is a rich tropical tapestry woven by Jovino and embroidered by Celia’s vocalese and Tony Corman’s flute. The latter is a showcase for Celia’s array of talents, as she plays berimbau, harmonium, cavaco, pandeiro, moringa, baya, triangle, and ganz\u00e1; vocalizes in Indian style; and waves us off with a well-deserved chuckle.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Daniella Thompson on Brazil Thursday, May 09, 2002 visit the site Celia Malheiros evokes the spirits of tradition in a thoroughly modern creation. Multi-instrumentalist, composer, and singer, Celia Malheiros, has been calling the San Francisco Bay Area home for twenty years. Nonetheless, her spiritual home continues to be Brazil, whose rhythms and nuances fill her […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-854","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/pages\/854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/comments?post=854"}],"version-history":[{"count":2,"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/pages\/854\/revisions"}],"predecessor-version":[{"id":856,"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/pages\/854\/revisions\/856"}],"wp:attachment":[{"href":"https:\/\/www.celiamalheiros.com\/pt\/wp-json\/wp\/v2\/media?parent=854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}